by Brendan Wahl
Good ol’ reliable Buck Henry. Marking his then-unprecedented fifth appearance hosting the show, this would pretty much be the last stop to hype up the Anyone Can Host contest. The five finalists were set to appear, so who better than Buck Henry to show up and guide them through the show that he knows so well? I’ve probably said this before, but Buck Henry is one of those consummate professional types that was just a ridiculously easy person to work with and even though he never had a single thing to promote, he was chosen as the host for two episodes every season during the first five years (and aside from Year 1, he hosted all the season finales as well). The network probably wouldn’t have strived to get Buck, but Lorne and the cast knew that they could get a dependable performance out of him and put on a stellar show most times.
Joining Buck is another favourite of the SNL cast and crew, that of Leon Redbone. Making his third appearance on the show, Redbone was something of an interesting character. For years and years, no one really knew too much about him like his date of birth or even who he truly was. According to a long-standing rumour at the time, many thought he was just Andy Kaufman in disguise or some even thought it could be Frank Zappa. I think its fairly obvious now that he was neither man, but it’s an interesting rumour.
1. Anyone Can Host Finalists (2:45)
-Henry, Anyone Can Host Finalists, Morris, Radner
We are finally introduced to the five Anyone Can Host finalists: Deb Blair, a mother from Peoria, Illinois; Connie Crawford, a Vassar co-ed; Richard Kneip, the governor of South Dakota; David Lewis, an unemployed guy from Oregon; and Miskel Spillman, an octogenarian grandmother. They all quickly introduce themselves to Mr. Henry himself along with Garrett and Gilda in the locker room. Each of them have their quirks and I think its fairly obvious that Mrs. Spillman is already the most popular of the quintet. Funny way to incorporate the finalists into a sketch and it was a unique way to get the show started. B+
2. Monologue (7:03)
-Henry, Anyone Can Host Finalists
Instead of the traditional monologue, Buck trots out the five finalists to the stage and gives each of them a chance to make their case as to why they want to host the popular comedic institution. Connie is pretty cute and David Lewis’ bit falls flat and gets no reaction, but Miskel charms the audience once again. It’s another good segment; nothing outstanding, but it works well due to Buck’s charisma and the concept of the whole contest. B+
3. Little Chocolate Donuts (:57)
Spoofing the Bruce Jenner ads for Wheaties, Belushi’s Olympic career is highlighted before he shills for the breakfast of champions, Little Chocolate Donuts. John’s deadpan makes this Franken and Davis-penned parody a real winner. A
4. Samurai Psychiatrist (5:36)
Like any other appearance by Buck Henry (except for Year 5, when Belushi was no longer a castmember), the Samurai appears again with another random occupation that he has taken up. This time, Futaba (Belushi) plays Freud to Mr. Dantley’s (Henry) stories of his inadequacies. These sketches are based mostly on the interplay between Buck and John, but most of them depend on some great visual gags as well. For some reason, despite a reliance on several of the same gags, this character never grew old. The twist on the traditional ending of these sketches was pretty terrific as well. A
5. Stunt Baby (4:31)
-Henry, Curtin, Murray, Newman (voice), Radner
While filming a scene for a movie involving a psychopathic father (Henry), the director (Murray) shmoozes his cast like a typical Hollywood phony. But then the greatest thing ever happens: Buck is just about to get violent with the baby and Murray yells for the stunt baby to be brought in. After some humourous instructions, Buck starts beating on the baby in over-the-top and ridiculous ways. At the time, this sketch was attacked by many censorship groups for its violence and disturbing content, but the way its handled here is so funny and it is the best sketch of the night. A+
6. A.M.O.A. Sanitized Motel (1:56)
A spokesman (Aykroyd) for sanitized motel glasses and toilets explains how these things actually get sanitized (with the assistance of some helpful pictures). This was funny enough, but why did Garrett dress up like a female just for the pictures? B
7. Leon Redbone sings “Champagne Charlie” (2:45)
Accompanied by a few other musicians, Leon sits center-stage and sings a ditty about a fella named Charlie, a song that originated way back in 1867. Leon’s unique voice and cadence makes for a very entertaining musical number and it doesn’t hurt that his guitar-picking is tremendous as well. A-
8. Weekend Update with Dan Aykroyd and Jane Curtin (6:45)
-Also: Anyone Can Host Finalists, Laraine Newman, & Gilda Radner
Lillian Carter gets quite an electric shock in a funny story by Jane but Dan also gets some chuckles with his artist’s rendering of how a baby becomes a male or female. Unlike most of the renderings during Chevy’s reign at the desk, this is a pretty amusing little bit and culminates in the two anchors lighting up a couple of cigars afterwards. Jane brings up the Anyone Can Host contest again and this time, sends it over to Laraine Newman to get some more words from the finalists. Laraine stumbles over her words a bit here, but we do get another great bit from Miskel (“You’re old. How do you feel?” “Tired.”). Finally, Baba Wawa (Radner) reports from Jerusalem and instead of concentrating on the story concerning some dignitaries in Egypt, Baba focuses on herself and talks about the security and her lunch date with Omar Shariff. Not much in the way of actual stories this week, but still a solid edition of Update. B+
9. Reunion In Kiev (4:48)
-Henry, Belushi, Newman, Radner
Reminiscing about her upcoming visit to her sister, a young Russian woman (Radner) has constant flashbacks of her time on the train, some memories more succinct than others. We also get a flashback from the waiter (Henry) as well as some musician (Belushi) that sits with her. Eventually, she is joined by her sister (Newman) and the confusion starts to pile on with the ridiculous amount of flashbacks. Whoever wrote this was pretty clever. A-
10. Mr. Mike’s Rickey Rat Club (6:10)
-Henry, Aykroyd, Belushi, Curtin, Morris, Murray, Newman, Radner
In an obvious spoof of the Disney ode to the eponymous mouse, Mr. Mike presents a tribute to the rickiest of rats, Rickey Rat. Bucky plays ringleader to the proceedings and guides the entire cast in a discussion about several of the experiments that they’ve conducted with their little furry friend. When Rickey himself is brought out, the Ratketeers recognize that it is not the correct rat, but Bucky explains that Rickey is busy helping science and now enjoying his stay in the hospital. It’s a decidedly dark criticism of animal testing and is another classic Mr. Mike piece. A
11. The Franken and Davis Show (5:41)
-Radner, Davis, Franken
Intermittent featured players during seasons 3-5, Franken and Davis were two of the sharpest young writers on the show and were finally able to showcase their performing skills on this recurring variety-show piece. Starting off by showing highlights of their careers, Franken and Davis then introduce Jackie Onassis (Radner) to perform a sketch with them where Tom Davis chokes at the dinner table. There’s some clever stuff here and although this wasn’t one of their stronger bits, it was still good. B+
12. Gary Weis Film: The Five Finalists (3:29)
-Henry, Anyone Can Host Finalists
Buck introduces a short film showing each finalist in the Anyone Can Host contest meeting up with our host in a hotel room and trying to find another way to guarantee their hosting stint on the Christmas episode of SNL. Connie comes on to Buck, Lewis explains how he likes to squeeze chipmunk heads, Deb tells Buck she’s not going to be able to afford Christmas this year, the governor tries to buy his way in, and Miskel says that she’s “going to kick” around New Year’s. More fun. B+
13. Leon Redbone sings “Please Don’t Talk About Me When I’m Gone” (3:28)
Leon slows things down for a second number, begging people not to reminisce about him when the day comes that he finally passes from this world. Sorry, Mr. Redbone, but you are too legendary to not reminisce about. It’s another terrific performance here, of course. A
14. Schiller’s Reel: Life After Death (2:14)
The second film by Tom Schiller sees a number of people claim to have experienced near-death situations and some having even died completely and then came back when resuscitated. The best part is that the patients lament that they had to wait in line and take a number, but the whole film was good if a little short. B+
Bucky reminds everyone of the December 17th show that the Anyone Can Host contest winner will host and lets all the finalists make thier last stand and then the cast joins in to wave goodnight to everyone.
A super fun show. Buck proved that once again, he was one of the great hosts of the day and one that wouldn’t necessarily hog the spotlight either like some future hosts. Buck was entirely comfortable in playing straight man to the cast’s antics but he was often given some funny stuff to do because he was so beloved by all of the cast. Bucky clearly had fun with the Anyone Can Host contest aspect of the show as well and the finalists themselves must have had an absolute blast being involved in this episode.
Meanwhile, Leon Redbone provided some really solid musical accompaniment and proved to be one of the favourites of the first five years.
Overall, it was a really solid show that keeps the good episode streak going strong.
Host Rating: A
Musical Guest Rating: A-
Show Rating: A-